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Joan Linder, November 2005
In a culture of hyper-saturated digital technology, Joan purposefully chooses the traditional medium of pen and ink to make large-scale images. |
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Leah Tinari
| Coke O'Neal, October 2005
In her new paintings, Leah chooses moments that animate her subjects, create bonds, and question connections. Coke's unique exploration of portraiture includes an element of performance and discovery. |
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Glimpse
| Lee Stoetzel, July 2005
Nine artists engaged in
and around abstract painting are brought together in Mixed
Green¿s summer group show curated by Mixed Greens artist Rob
Nadeau. | |
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Adia
Millett, May 2005
Adia’s new body of work includes
eight miniature buildings modeled after brick housing units in
Chicago and over a dozen corresponding photographs.
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Russell
Nachman | Shoshana Dentz, January 2005
In his first
solo show with Mixed Greens, Russell
Nachman will exhibit large-scale watercolor
paintings stretched over panel. Vivid imagery associated with
the 1960’s and 1970’s and a saturated color palette
accentuates his contemporary use of the medium.
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Zoe
Pettijohn | Rudy Shepherd, October 2004
In her
first solo show with Mixed Greens, Zoe Pettijohn
investigates luck, chance, fortune and the
anticipation of these things combined with the blurred line
between real or imagined memories.
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Mark
Mulroney | Mary Temple, September 2004
In his first
solo exhibit in New York, Mark Mulroney
continues to reflect his acute awareness of what is
often missing both physically and emotionally from modern
lives, landscapes and spaces.
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Ice
Cream Social | Rob Conger, August, 2004
Their
corporations have given large amounts of cash in support of
the arts—in some cases as much as $85.3 million. Now Rob
Conger pays homage, in the form of latch-hook rug
portraits, to the nine CEO’s of the most philanthropic
companies in 2001. | |
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