 |
 |
 |
 |
 |
 |
 |
 |
 |
Dirk
Westphal | Paul Plante, July 2004 Dirk Westphal's
Piscoli Fabulosi (fabulous little fishes) is a solo exhibition
of mural-sized photographs of the saltwater fish family
Pomacentridae (damselfish) and the consummation of the
artist¹s devotion in recent years to damselfish collecting,
husbandry and wrangling. | |
 |
 |
 |
 |
 |
 |
Howard
Fonda | LES Print Shop, June 2004 In …With
Love, Howard Fonda will exhibit new paintings and
drawings, as well as a sculpture. Asserting a geometric form
and banded color, Fonda’s abstractions further his
investigation of love, truth and existence.
| |
 |
 |
 |
 |
 |
 |
Holly
Lynton, April 2004 Using lush landscapes as
settings for photographs and video, Holly
Lynton’s new body of work continues to examine the
space between play and danger. Lynton creates beautifully
fluid narratives that compel the viewer to question whether
the situations are pleasurable, menacing, or perhaps both.
| |
 |
 |
 |
 |
 |
 |
Joan
Linder, March 2004 In her first solo show at Mixed
Greens, Joan Linder exhibits two large-scale accordion books
and other smaller landscape drawings. Highly intricate and
labor intensive, each accordion book measures 2 feet by 3 feet
when closed and astounding 16 to 20 feet long, when extended
to full length. | |
 |
 |
 |
 |
 |
 |
Lee
Stoetzel, January 2004 In his first solo show at
Mixed Greens, Lee Stoetzel presents a series of black and
white photographs of Arctic-like landscapes, taken from a most
unlikely source: McDonald’s french fries.
| |
 |
 |
 |
 |
 |
 |
Susan
Graham, October 2003 Susan Graham’s work continues
to focus on the ideas and imagery that have long informed her
art: insomnia, and peril, and dreams. In her cyanotypes, she
creates beautiful, unpeopled landscapes of machines and
architecture—as if our own creations no longer rely on us for
their raison d’etre. Also included: new sculptures of
firearms, intricately crafted from porcelain.
| |
 |
 |
 |
 |
 |
 |
Coke
Wisdom O'Neal, September 2003 In Medicine Cabinet
Portraits, O’Neal presents a series of mesmerizing photographs
that transform that most mundane of objects—the bathroom
medicine cabinet—into an unsettling landscape.
| |
 |
 |
 |
 |
 |
 |
Mary
Temple, August 2003 Mixed Greens is pleased
celebrate the completion of Mary Temple’s two-year artistic
odyssey, the 1,000,000 Ellipsoid project. Read a brief
interview with Mary about her work here.
| |
 |
 |
 |
 |
 |
 |
Becoming
a Better Person, July 2003 In
Becoming a Better Person Through Art, three Mixed
Greens artists—;Howard
Fonda, Christina
Mazzalupo, and Kammy
Roulner—grapple with issues ranging from anxiety and
agoraphobia to the desire for unconditional love, and in the
process call into question viewers’ assumptions about what is
Good, what is Bad, and what, ultimately, is Art.
| |
 |
 |
 |
|
| |
 |
 |