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Do you think there¿s a difference between collecting art and anything else?

James: Well, we are interested in music in the same way we're interested in art. We have a collection of thousands of CDs. The two interests come together in the video art we've bought. I've always liked the idea of combining a moving image with music. Years ago, I would play the television with the sound off and then accompany it with a soundtrack of music by John Zorn or Stockhausen, or something trippy.

How does your collection reflect you?

Barry: The most defining thing about the collection is that we largely buy the work of young artists and we don't spend a lot of money. When people come here I sometimes imagine they think we're richer than we are, but it doesn't require a fortune to collect art. We gradually fell into our "art habit," so we don't really think of ourselves as collectors. We both still wince when using that term.

James: The good thing about not spending the money is that the art stays "priceless." We aren't tempted to see the works as commodities or as any kind of invesment. Above all, the collection is always a lot of fun for us, and it both takes and gives back a great deal of energy.

Do you have any advice you could share with other collectors?

Barry: Trust your own reaction to a piece. I like asking what someone knows about an artist or work, but in the end it's about what it means to you.

James: Spend as much time looking at work as you can spare. You won't be bored and sometimes you will be bowled-over. Don't be in too much of a hurry to bring it home; there will always be time for that (if not space).
Deborah Mesa-Pelly Scobel, Flannery Suitcase (diptych)